![]() Breitwieser helps himself to two chalices and a tankard, then sets the index card down where they used to be. The lock, he notices, is high end but poorly installed he smacks the top and the cylinder drops out of its housing and into the display case. This one is filled with fantastically ornate sixteenth-century silver objects, including goblets, chalices, and a miniature warship. To anyone who happens to notice them, they look like a happy, art-loving young couple enjoying a date at a museum, which, in a sense, they are.Ī few rooms later, another display case catches Breitwieser’s eye. He jimmies open the case, pockets the card, and, together with his girlfriend and accomplice, Anne-Catherine Kleinklaus, strolls onward. Folded in half and set inside a partially empty display case, it reads, in French, “Objects Removed for Study.” The museum contains one of the largest collections of art and antiquities in Europe, but Breitwieser immediately recognizes that, for his purposes, its most valuable item is the notecard. ![]() The first thing Stéphane Breitwieser steals from Belgium’s Art & History Museum is an index card.
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